JERRY C. MONTEITH
Professor, Head of Graduate Studies, Southern Illinois University, Carbondale, IL 62901
M.F.A. in Sculpture, Cranbrook Academy of Art, 1978
B.F.A. in Sculpture, University of North Carolina, 1975
Born 1951, Sylva, North Carolina
SELECTED EXHIBITIONS AND SITE WORKS
2013 “Attractors”, Solo show at OK Harris, New York, NY
2012 “Exposure 16, Primal Forms”, Three-person annual exhibition, Gallery 210, University of Missouri, St. Louis, St. Louis, MO
2011 Chunks, (site work) St. Louis Community College inaugural Sculpture Biennial, Florrisant Campus, St. Louis, MO
Array, (site work) Mass Transit Division offices, Public Art League, Champaign, Illinois
“Art Lab: Work in Progress,” Nu-Art Series- Metro Gallery, St. Louis, MO
2010 “Jumping Off Cliff,” artists influenced by H.C. Westerman, McCutchan Art
Center, University of Southern Indiana, Evansville, Indiana
2009 “Primary Scars,” one-person show, Art Space Gallery, Fresno City College,
“Monteith/ Wessel: Wood- 2 Perspectives,” University Museum, Southern Illinois
University, Carbondale, Illinois
2008 “Splendid Flaws,” (solo show), NuArt Series/Metro Gallery, St. Louis, Missouri
2007 Dallas Array, site-specific installation, Dallas Contemporary, Dallas, Texas
“Hilarious Wounds,” (solo show) i2i Gallery, San Antonio, Texas
Solo show, Moss-Thorns Gallery, Fort Hays State University, Hays, Kansas
2003- Lightspill, a permanent monumental earthwork, Cedarhurst Center for the Arts, 2006 Mt. Vernon, Illinois
2002 Silver for Babs, installation, Surplus Gallery, SIUC, Carbondale, Illinois
“Artists Respond to 9/11,” Art St. Louis, St. Louis, MO
2000 KC Beatrice, (window installation) Dolphin Gallery, Kansas City, MO
20th Anniversary Sculpture Exhibition, Montpelier Cultural Arts Center, Laurel, MD
1999 Daylights, Night Eyes, light installation, WD Brown Bldg., St. Louis, MO
“Place & Space, 2 Installation Artists,” University Gallery, Truman State University, Kirksville, MO
Group Show, Dolphin Gallery, Kansas City, MO
1988 Community Building, (custom, site-specific bus shelter) Martin Luther King Avenue and Belt Street, St. Louis, Missouri
1997 Solo show, Noyes Cultural Arts Center, Evanston, Illinois
11th Rosen Sculpture Competition & Exhibition, Appalachian State University, Boone, North Carolina
“Family: Interpretations by 4 Contemporary Artists,” Indiana University, Kokomo, IN
1996 “Flora 96,” Chicago Botanical Garden, Chicago, Illinois
1995 “Carpenters & Other Good Men,” (solo) Forum for Contemporary Art, St. Louis, MO
Bellwether, (interactive site work) Western Michigan University Sculpture Tour, Kalamazoo, Michigan
“Return to Beauty,” Delaware Center for Contemporary Art, Wilmington, Deleware
1994 New Sculpture (solo show) Franz Bader Gallery, Washington, D.C.
“Garber, Monteith, Nardi & Ottmers,” Klein Artworks, Chicago, Illinois
1993 "Hand Pieces," (solo show) Franz Bader Gallery, Washington, D.C.
“Abstract: Chicago,” Klein Artworks, Chicago, Illinois
"David, Beatrice & Lafayette," (Installation), Montpelier Cultural Arts Center, Laurel, MD
1992 One Person show, Franz Bader Gallery, Washington, D.C.
“Form & Object: Contemporary Interpretations of Craft Traditions,” (Traveling exhibition curated by John Perault) U. of Wyoming Art Museum, Texas A & M Arvada Center for the Arts & Humanities Dahl Fine Arts Center, Rapid City, S.D.
“David, Beatrice & Lafayette,” (installation) Eagle Gallery, Murray State University, Murray, Kentucky
1991 “New Sculpture,” (solo show) Franz Bader Gallery, Washington, D.C.
1990 "Totally Useless Objects," (solo show) Franz Bader Gallery, Washington, D.C.
“Contemporary Folding Screens”, (Collaboration w/Mel Watkin) The Hand Workshop/ Virginia Center for the Crafts, Richmond, VA and traveling to the Piedmont Arts Assoc. in Martinsville, VA and the Delaplaine Visual Arts Center, Fredrick, MD
“Four Installations,” Ellipse Gallery, Arlington, Virginia
“Swinging Bridge,” (interactive installation) Belk Gallery, Western Carolina University, Cullowhee, N.C.
1989 Sculpture Garden Solo Show, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
“Art & Function,” Franz Bader Gallery, Washington, D.C.
“Tools in Art/Tools As Art,” Brody’s Gallery, Washington, D.C.
1988 Solo show, Franz Bader Gallery, Washington, D.C.
“Sculptors Make Furniture,” Franz Bader Gallery, Washington, D.C.
1987 Solo Show, Franz Bader Gallery, Washington, D.C.
“Four Sculptors,” Washington Square Building, Washington, D.C.
1985 “The Washington Show,” Corcoran Gallery of Art, Washington, D.C.
HONORS AND AWARDS
2012 Caldera Artist Residency, Sisters, Oregon
Virginia Center for the Creative Arts Fellowship, Amherst, VA
2007 Visiting artist honorarium, Ft. Hays State University, Hays, Kansas
2004 Virginia Center for the Creative Arts Fellowship, Amherst, VA
2003 $15,000 Commission for the production of “Lightspill” for the Cedarhurst sculpture grounds at Mitchell Museum in Mt. Vernon, Illinois
1998 Lewis & Alice Heizter Award, Brevard Museum of Art & Science, Melbourne, Florida
Commission: production of “Community Building,” a unique bus shelter, Arts-In Transit Program, Bi-State Development Agency, St. Louis, MO
1996 Ucross Foundation Fellowship, Clearmont, Wyoming
1995 Best Sculpture Award, Southern Illinois Biennial, Mitchell Museum, Mt. Vernon, IL
1989 Semi-finalist Honorarium: proposal for $200,000. exterior site work, The District of Columbia Convention Center, Washington, DC.
2012 “Exposure 16, Primal Forms,” color exhibition catalog with interview and images
2011 “In the Presence of Trees,” (color catalog) Ucross Foundation Art Gallery, Clearmont, Wyoming
2007 Michelle Valdez, artist and independent critic featured in 2007 Texas Biennial, Emvergeoning.com, online art magazine, February 22
2004 The Orcadian, Kirkwall, Orkney Islands, Great Britain, November 15-21, 2004
Gail Rissi Thomas, “Eye of the Beholder,” Southern Illinoisan, November 16,
1997 11th Rosen Sculpture Competition & Exhibition Catalog, Appalachian Summer Festival & Catherine Smith Gallery, Boone, North Carolina
1995 Commissions Section, Sculpture Magazine, September/October Issue.
Robert Duffy, “Making Art From Art,” The St. Louis Post Dispatch, Sept. 17.
Tim Porges, "Four Sculptors,” New Art Examiner, February Issue.
Western Michigan Sculpture Tour Catalog, Art Department, Western Michigan University, Kalamazoo, Michigan
1994 Sarah Tanguy, "Washington, D.C.,” Sculpture Magazine, September/October.
1993 Lee Flemming, “Galleries,” The Washington Post, Washington, D.C., June12.
"David, Beatrice & Lafayette" and "Hand Pieces,” by Mel Watkin, The Washington Review, June/July Issue.
Alabama Biennial Catalog, Art Department, University of Alabama, Tuscaloosa, Alabama
1992 "Galleries,” by Mary McCoy, The Washington Post, Washington, D.C., June 27,
1991 "On Display,” by Eric Gibson, The Washington Times, Washington, D.C., June 6.
1990 Review by J.W. Mahoney, Sculpture Magazine, May/June Issue.
“Seeing Double,” by Lee Fleming, Museum & Arts Washington, Washington, D.C., September/October Issue.
"Childhood as Artistic Challenge,” by Mary McCoy, The Washington Post
Washington, D.C., November 3.
1989 "Playground of the Natural Order," Lee Fleming, The City Paper, Washington, D.C., February 10.
”Sculptors Make Furniture,” by Daniel Barbiero, Sculpture Magazine, January/February Issue.
1988 "Furniture and Fantasy," by Jo Ann Lewis, The Washington Post, Washington, D.C., July 23.
"Furniture Shock,” by Susan Tamulevich, The Washington Post Magazine, Washington, D.C., October 2.
Review by Alice Thorson, The Washington Times, Washington, D.C., July 21.
1987 "Art's Natural Gifts," by Ben Forgey, The Washington Post, Washington, D.C., July 18.
"Galleries,” by Alice Thorson, The Washington Times, Washington, D.C., January 15.
1985 “Washington Square Sculpture,” by Alice Thorson, The New Art Examiner, Washington, D.C., October issue.